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Apollo and The Two Muses
- Apollo and The Two Muses
- By: Pompeo Batoni
Apollo and The Two Muses
The Muse cease not to inspire.
They sing paeans, by the droves.
They measure our memories.
They shield Beauty in counterpoint.
Their daughters bring us magic.
in the sound of the wind and sea.
Apollo guards our tunes
which flutter toward shelter
in the guise of the warbler.
Apollo churns harmonic overtones
on a his palladium flute.
He completes the cadence
of our imperfect days.
*************
Written for:
Also posted on Monday Morning Writing mythology
Also posted on:
OpenLinkNight ~ Week 41
The picture is from artsunlight – Apollo and Two Muses. The Artist of the painting is Pompeo Batoni (Italian 1708-1787) Roman school Rococo
The Sestina of KT
The Sestina of KT
If they could only see her face
and the pride in executing these techniques.
Was she a work horse freed from her stable?
No! She is as free as the optical bird
flying above the Earth. “Oh Hubble!
I’ve come to fix your trouble!”
Nation: take time and trouble
to see freedom upon the face
of the attendant of Hubble;
with extraordinary skillful technique
holding a caged wing of the broken bird
drifting downtide toward a distinguished stable.
It takes an astronaut with style so stable
to considers it no trouble
to liberate a fellow solar bird:
reflections of white diamonds in the face-
mask of a sorceress, practicing her technique,
on the broken parts of Hubble.
Caged in her two hands is Hubble,
reconnoitered in its high tech stable
responding to input of dexterous technique:
There is nothing trivial about this trouble.
Road lights are maps of highways on the face-
plate. “How high am I?” asks this American bird.
The wings flap and waver as the paneled bird
escapes her hands. She looks down on Hubble.
The muscles relax: a smile on the face
of a woman who is able, to stand in the stable
of the horses of Apollo. It is no trouble
going forth with privileged technique.
She found her own working techniques
as her tired, heated wings, like a bird
of prey, were cooled by the flowing troubled
draught. She prays for answers from Hubble,
in a universe which may be expanding or stable;
to report the narrations on time’s face.
A rollout of new technique re expresses Hubble
as this thunderbird escapes by a flaming stable.
No more trouble upon this angel’s face.
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Written for:
Matt Quinn challenged us to a Sestina. I wrote this in 1993, when astronaut Kathryn Thronton fixed the Hubble Telescope along with her fellow astronauts.
The other astronauts called her KT. She teaches at University of Virginia now.
Here NASA bio:
http://www.jsc.nasa.gov/Bios/htmlbios/thornt-k.html
Her bio currently at UVA/Engineering Department
http://www.virginia.edu/facultyexperts/expert.php?id=437
The Earth
The Earth As Seen From Apollo 17
Clouds weave quick patterns like silken white lace;
No borders are drawn on lands seen from space.
Such beautiful seas, and bounteous lands;
The oceans, the rivers, the snows and sands;
I have searched the universe high and low
Yet cannot detect such a well made show.
It’s hard to define Earth’s magnificent life:
The glory, happiness, sorrow and strife.
It’s pitify man does not fully know
The glory of life: to produce and grow.
Earth’s life’s a marvel, I clearly can see.
I daren’t imagine how no life would be.
Out in the heavens I see my Earth fly
Like a blue-snowy crystal, on black-velvet sky.
********************************
This is the first Sonnet I ever wrote, back in 1972. It is not even a Shakespearean Sonnet. I wrote it while Apollo 17 was returning from the moon to Earth. Jack Schmidt said that he had wished he were a poet so he could write about how beautiful the Earth is. I wrote this sonnet and sent it to him. He must have really liked it because he sent me back a letter thanking me for the poem. Also, 20 years later, I wrote to him again and reminded him that I was the one who sent that poem, and he seemed to remember the poem.
Most of you know the picture above. But some probably don’t know that this is the first full picture of the Earth taken by man. I was lucky enough to meet Gene Cernan in Seattle, back in 2000. I asked him who took the picture, and he said he didn’t know. He said they had one camera, and they all took pictures whenever they saw fit. No one knows exactly who snapped that picture. That’s why, whenever you see the picture, it is credited to the entire crew of Apollo 17.
Here’s a great picture of the crew . The magnificent Saturn V rocket is in the background, and the Lunar Rover is in the foreground. Amazing engineering for the sixties. It’s the technology that got us where we are today.
Posted on:
Poetry Picnic Week 14: What I’m Thankful for in My Life
Also published for:
poets-rally-week-60